SHOTOVER F1 – Land+Water

SHOTOVER F1 Recalibrating Versatility

The SHOTOVER F1 adapts to your style, from broadcast to features.

A 6 axis gyro stabilized platform delivers unshakable stability with look down capability for use inverted, or right side up on almost anything that moves.

Sure, the F1 is best know of it’s amazing aerial performance, but when adapted to ground and water-based applications the results are simply unsurpassed.

The F1 ground delivers amazing stability with the ability to shoot ultra long lens shots when mounted to techno cranes, orbital arms, off road buggies, snow buggies, boats – indeed just about anything that moves.

It rigs fast and accommodates a wide range of cameras and lenses, including the Arri Alexa M, Red Epic, Canon C500 and Sony F55 & HDC-2500, for the look you want.

While its compact carbon fiber construction means it ships as excess baggage on commercial flights worldwide with no export restrictions.

SHOTOVER F1 System Features

  • Quickly and easily interchange multiple cameras and lenses
  • Compact size and weight allows affordable transport as freight or excess baggage
  • No ITAR restrictions or EAR licensing requirements
  • Compatible with most FAA and EASA approved aircraft mounts
  • Easily integrated onto a wide variety of mounting platforms
  • 6-axis gyro stabilized with look down capability
  • Windowless operation option for brilliant imagery without reflections
  • Fiber optic video data transfer for clean 3GHz imagery
  • State of the art electronics and design techniques deliver unshakable stability and ultimate functionality
  • Customizable graphics overlay for real time operator feedback
  • Auto or Steerable horizon with the most advanced steering capabilities on the market
  • Inverted operation using auto-position detectors
  • Remote controlled polarized filter rotation, rain deflector and other accessories available

SHOTOVER F1 Specifications

STABILIZATION

  • 6-axis with no gimbal lock
  • High performance non-ITAR sensors
  • Distributed Multi-processor closed loop servo control system
  • Proprietary gimbal control algorithms

GIMBAL FIELD OF VIEW

  • Pan: 360 degrees continuous (via electrical and optical rotary joints)
  • Tilt: +45 to -140 degrees
  • Roll: +/-85 degrees (steerable or auto horizon)
  • Max slew rate: 100 deg/sec

DATA / COMMUNICATION

  • Fiber Optic lines
  • CAN Bus
  • RS 422 Serial Bus
  • Ethernet

WEIGHT

  • Turret with max payload less than 59kg (130lbs)
  • Operator control unit 2.7kg (6lbs)
  • Junction control box 4kg (9lbs)
  • External cable set: 2.5kg (5.5lbs)

POWER

  • 19-72 VDC
  • 12 Amps Max Draw (at 28V)

ENVIRONMENTAL

  • Operating Temperature: -20 to +50 degrees C

OPERATOR CONTROL UNIT

  • Lightweight
  • Customizable video overlay (Monitor Output)
  • Recess for camera remotes such as: Sony RM-B750, Arri RCU-4
  • Other control layouts available upon request

CAMERA AND LENS COMBINATIONS

CANON C500

  • Canon 30-300
  • Canon 14.5-60
  • Angenieux Optimo 17-80
  • Angenieux 25-250 HR
  • Angenieux 25-250 DP
  • Arri/ Fujinon Alura 18-80
  • Fujinon Premier 18-85
  • Fujinon Premier 14.5-45

Red Epic X / Dragon

  • Canon 30-300
  • Canon 14.5-60
  • Angenieux Optimo 15-40
  • Angenieux Optimo 28-76
  • Angenieux Optimo 17-80
  • Angenieux 25-250 HR
  • Angenieux 25-250 DP
  • Arri Fujinon Alura 18-80
  • Fujinon Premier 18-85
  • Fujinon Premier 14.5-45
  • Fujinon Cabrio 19-90
  • Fujinon Cabrio 85-300
  • Fujinon 42×9.7
  • Zeiss 14mm Master Prime
  • Zeiss 16mm Master Prime

Sony F55 without Recorder

  • Canon 30-300
  • Canon 14.5-60
  • Angenieux Optimo 15-40
  • Angenieux Optimo 28-76
  • Angenieux Optimo 17-80
  • Angenieux 25-250 HR
  • Angenieux 25-250 DP
  • Arri Fujinon Alura 18-80
  • Fujinon Premier 14.5-45
  • Fujinon Cabrio 19-90
  • Fujinon Cabrio 85-300
  • Zeiss 14mm Master Prime
  • Zeiss 16mm Master Prime

Sony F55 with Recorder

  • Angenieux Optimo 15-40
  • Angenieux Optimo 28-76
  • Fujinon Cabrio 19-90
  • Fujinon Cabrio 85-300
  • Zeiss 14mm Master Prime
  • Zeiss 16mm Master Prime

Sony HDC 2500

  • Fujinon HA 42×13.5
  • Fujinon HA 42×9.7

Alexa M-Single Fibre

  • Canon 30-300
  • Canon 14.5-60
  • Angenieux Optimo 15-40
  • Angenieux Optimo 28-76
  • Angenieux Optimo 17-80
  • Angenieux 25-250 HR
  • Angenieux 25-250 DP
  • Arri Fujinon Alura 18-80
  • Fujinon 18-85 mm T2
  • Fujinon Premier 14.5-45
  • Fujinon Cabrio 19-90
  • Fujinon Cabrio 85-300
  • Zeiss 14mm Master Prime
  • Zeiss 16mm Master Prime

OPTIONS

  • Geo referenced overlay
  • Integrates with third party geo mapping
  • Remote controlled rotating polarizer
  • Rain deflector

SHOTOVER F1 Recalibrating Versatility

The SHOTOVER F1 adapts to your style, from broadcast to features.

A 6 axis gyro stabilized platform delivers unshakable stability with look down capability for use inverted, or right side up on almost anything that moves.

Sure, the F1 is best know of it’s amazing aerial performance, but when adapted to ground and water-based applications the results are simply unsurpassed.

The F1 ground delivers amazing stability with the ability to shoot ultra long lens shots when mounted to techno cranes, orbital arms, off road buggies, snow buggies, boats – indeed just about anything that moves.

It rigs fast and accommodates a wide range of cameras and lenses, including the Arri Alexa M, Red Epic, Canon C500 and Sony F55 & HDC-2500, for the look you want.

While its compact carbon fiber construction means it ships as excess baggage on commercial flights worldwide with no export restrictions.

SHOTOVER F1 System Features

  • Quickly and easily interchange multiple cameras and lenses
  • Compact size and weight allows affordable transport as freight or excess baggage
  • No ITAR restrictions or EAR licensing requirements
  • Compatible with most FAA and EASA approved aircraft mounts
  • Easily integrated onto a wide variety of mounting platforms
  • 6-axis gyro stabilized with look down capability
  • Windowless operation option for brilliant imagery without reflections
  • Fiber optic video data transfer for clean 3GHz imagery
  • State of the art electronics and design techniques deliver unshakable stability and ultimate functionality
  • Customizable graphics overlay for real time operator feedback
  • Auto or Steerable horizon with the most advanced steering capabilities on the market
  • Inverted operation using auto-position detectors
  • Remote controlled polarized filter rotation, rain deflector and other accessories available

SHOTOVER F1 Specifications

STABILIZATION

  • 6-axis with no gimbal lock
  • High performance non-ITAR sensors
  • Distributed Multi-processor closed loop servo control system
  • Proprietary gimbal control algorithms

GIMBAL FIELD OF VIEW

  • Pan: 360 degrees continuous (via electrical and optical rotary joints)
  • Tilt: +45 to -140 degrees
  • Roll: +/-85 degrees (steerable or auto horizon)
  • Max slew rate: 100 deg/sec

DATA / COMMUNICATION

  • Fiber Optic lines
  • CAN Bus
  • RS 422 Serial Bus
  • Ethernet

WEIGHT

  • Turret with max payload less than 59kg (130lbs)
  • Operator control unit 2.7kg (6lbs)
  • Junction control box 4kg (9lbs)
  • External cable set: 2.5kg (5.5lbs)

POWER

  • 19-72 VDC
  • 12 Amps Max Draw (at 28V)

ENVIRONMENTAL

  • Operating Temperature: -20 to +50 degrees C

OPERATOR CONTROL UNIT

  • Lightweight
  • Customizable video overlay (Monitor Output)
  • Recess for camera remotes such as: Sony RM-B750, Arri RCU-4
  • Other control layouts available upon request

CAMERA AND LENS COMBINATIONS

CANON C500

  • Canon 30-300
  • Canon 14.5-60
  • Angenieux Optimo 17-80
  • Angenieux 25-250 HR
  • Angenieux 25-250 DP
  • Arri/ Fujinon Alura 18-80
  • Fujinon Premier 18-85
  • Fujinon Premier 14.5-45

Red Epic X / Dragon

  • Canon 30-300
  • Canon 14.5-60
  • Angenieux Optimo 15-40
  • Angenieux Optimo 28-76
  • Angenieux Optimo 17-80
  • Angenieux 25-250 HR
  • Angenieux 25-250 DP
  • Arri Fujinon Alura 18-80
  • Fujinon Premier 18-85
  • Fujinon Premier 14.5-45
  • Fujinon Cabrio 19-90
  • Fujinon Cabrio 85-300
  • Fujinon 42×9.7
  • Zeiss 14mm Master Prime
  • Zeiss 16mm Master Prime

Sony F55 without Recorder

  • Canon 30-300
  • Canon 14.5-60
  • Angenieux Optimo 15-40
  • Angenieux Optimo 28-76
  • Angenieux Optimo 17-80
  • Angenieux 25-250 HR
  • Angenieux 25-250 DP
  • Arri Fujinon Alura 18-80
  • Fujinon Premier 14.5-45
  • Fujinon Cabrio 19-90
  • Fujinon Cabrio 85-300
  • Zeiss 14mm Master Prime
  • Zeiss 16mm Master Prime

Sony F55 with Recorder

  • Angenieux Optimo 15-40
  • Angenieux Optimo 28-76
  • Fujinon Cabrio 19-90
  • Fujinon Cabrio 85-300
  • Zeiss 14mm Master Prime
  • Zeiss 16mm Master Prime

Sony HDC 2500

  • Fujinon HA 42×13.5
  • Fujinon HA 42×9.7

Alexa M-Single Fibre

  • Canon 30-300
  • Canon 14.5-60
  • Angenieux Optimo 15-40
  • Angenieux Optimo 28-76
  • Angenieux Optimo 17-80
  • Angenieux 25-250 HR
  • Angenieux 25-250 DP
  • Arri Fujinon Alura 18-80
  • Fujinon 18-85 mm T2
  • Fujinon Premier 14.5-45
  • Fujinon Cabrio 19-90
  • Fujinon Cabrio 85-300
  • Zeiss 14mm Master Prime
  • Zeiss 16mm Master Prime

OPTIONS

  • Geo referenced overlay
  • Integrates with third party geo mapping
  • Remote controlled rotating polarizer
  • Rain deflector

“With Shotover you’ll get shots not possible to achieve with any other mount”